HAKU SHAH
ARTIST: HAKU SHAH MEDIUM : OIL ON CANVAS SIZE: 24 * 24 in YEAR : 2012 Signed and dated in gujarati lower right PROVENANCE: Acquired From a reputed Delhi Based GALLERY Enquire Now
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ANUPAM SUD
A fine example of Anupam Sud’s mastery in printmaking, Morning Walk (1980) reflects her nuanced exploration of the human condition through subtle symbolism and introspection. The composition reveals her characteristic balance of technical precision and emotional depth, capturing a quiet, contemplative moment that resonates with themes of solitude, identity, and urban existence.
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SATISH SINHA
Executed in 1935, this delicate pencil drawing by Satish Sinha showcases the artist’s early command of form and sensitivity to line. The work reflects the refined draftsmanship and lyrical realism that came to define his artistic practice, offering a glimpse into the early evolution of modernist expression in Bengal’s vibrant art milieu of the 1930s.
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K DAMODARAN
This striking oil on canvas by K. Damodaran exemplifies the artist’s vivid engagement with color, texture, and rhythm. Created in 2004, the composition reflects his signature blend of abstraction and emotional depth, where organic forms and layered tones evoke both movement and contemplation. The work stands as a testament to Damodaran’s continuing exploration of the expressive potential of paint and surface.
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JYOTI BHATT
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This is a wonderful work of art, by one of our talented artists.
JYOTI BHATT
This intricate pen drawing by Jyoti Bhatt exemplifies his sharp observational eye and his deep engagement with the everyday visual culture of India. Executed in 2004, the work distills Bhatt’s characteristic linear precision and rhythmic composition, transforming simple forms into poetic expressions of life and memory. With its intimate scale and deft handling, this piece reflects the artist’s lifelong dialogue between modernism and the folk traditions that have continually inspired his practice.
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BADRI NARAYAN
In The Great Departure, Badri Narayan captures a moment of quiet transcendence — a journey both literal and spiritual. His delicate brushwork and gentle washes of colour evoke a sense of nostalgia and introspection, hallmarks of his narrative style. Executed in 1998, this work reflects Narayan’s enduring fascination with myth, memory, and the human condition, rendered with poetic restraint and emotional depth.
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JAYAPALA PANIKER
Created in 1998, this striking work embodies Jayapala Paniker’s mastery of abstraction and symbolism. The composition pulses with layered forms and bold chromatic energy, reflecting his exploration of the cosmic and the metaphysical through modernist language. Paniker’s acrylic strokes seem to weave together the seen and the unseen — a visual philosophy that transcends form to evoke rhythm, thought, and transcendence. Rooted in Kerala’s cultural sensibilities yet universal in appeal, the work stands as a testament to his profound contribution to Indian modern art.
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